Gerald Slota's Biography
GERALD SLOTA

Selected Solo Exhibitions
2006 Found, Project Space, George Eastman House, Rochester, NY
2005 Found, Langhans Galerie, Prague, CZ
2004 Fable, Robert Berman Gallery, Santa Monica, CA
2003 Fable, Ricco/Maresca Gallery, New York
2000 Gone, Ricco/Maresca Gallery, New York
1999 Cracked, Robert Berman Gallery, Santa Monica, CA
1998 Smashed, Ricco/Maresca Gallery, New York
1997 Ordinary Madness, Allan P. Kirby Arts Center Gallery, Lawrenceville, NJ
1996 True, Ricco/Maresca Gallery, New York

Group Shows
2006 Intersections, Atlanta Collects Photography, High Museum of Art, Atlanta, GA
Why Look at Animals, George Eastman House, Rochester, NY.
Curated by, Alison Nordstrom
Hot Picks, Katonah Museum of Art, NY
About Love, Nailya Alexander Gallery, NYC
2005 Sans Regard or No Eyes, Looking at Collection Dancing Bear,
Rencontres D’Arles, France
2004 Twenty-five Year Retrospective, Robert Berman Gallery, Santa Monica, CA
2003 Flesh Tones, Robert Mann Gallery, NY
Transcending Realities, Freddie Fong Gallery, San Francisco, CA
2002 A Thousand Clowns: Give or Take a Few, Robert Berman Gallery,
Santa Monica, CA. Curated by Diane Keaton
American Perspectives - Photographs from the Polaroid
Collection, Photographic Resource Center, Boston
Gaggles, Flocks and Covies; further, Exaltations and Murders: A Bird Show,
Ricco/Maresca Gallery, NY
New Acquisitions, New Work, New Directions 3,
Los Angeles County Museum of Art, CA
A Thousand Hounds,
Norton Museum of Art, West Palm Beach, FL and tour. Curated by Miles
Barth and Ray Merritt Invisible Cities,
The Center for Photography at Woodstock, NY Curated by Kate Menconeri
Unexposed Identities, Cornell Fine Arts Museum, Curated by Allison Nordstrom
Rollins College, Winter Park, FL,
Everyman, A Search for the Male Form, Curated by Nora Kabat, SF
Camerawork, San Francisco, CA
2001 Eccentric Photography, Islip Museum of Art, Islip, NY
Curated Karen Shaw,
2000-2001 American Perspectives: Photographs from the Polaroid Collection,
Tokyo Metropolitan Museum of Photography,
Museum Kyoto, Takamatsu City Museum of Art,
Museum of Contemporary Art, Sappora, Japan
1999 Stars and Stripes: The American Flag in Photographs,
Folk and Outsider Art, Ricco/Maresca Gallery, NYC
New in the Nineties II, Katonah Museum of Art, NY
Naked, Ricco/Maresca Gallery, NYC
1998 Kisser, Bernard Toale Gallery, Boston
Blue, Stephen Bulger Gallery, Toronto
Ooh Baby!, Ricco/Maresca Gallery, NYC
1997 Realities, Ricco/Maresca Gallery, NYC
Delirium, Ricco/Maresca Gallery, NYC
1997 New Jersey Arts Annual, Newark Museum, NJ Curated by Joe Jacobs
1996 Blind Spot 5 Years, Paolo Balducci Gallery, NYC

Publications
2006 Harper’s Magazine (November)
New York Times, Science (cover 09/26/06) “Is Hysteria Real?” by Erika Kinetz
New York Magazine (07/31/06) “The Fall of the House of Bartha” by
Geoffrey Gray
New York Times Magazine (07/02/06) “Déjà vu, Again and Again” by
Evan Ratliff
2004 Details (December) “You Thought Your Family Was Crazy” by Anthony
Swofford
2003 Newsweek (Japanese edition) (12/16/03) “The End of the Internet”
The New York Times Magazine (09/28/03)
“What if there is something on in there?” by Carl Zimmer
Discover (September) “Breathless” by Tony Dajer Fortune (01/20/03)
“This tunnel has an end”, by Justin Fox
2002 American Photography 18
Fortune (December)
Psychology Today (November/ December)
“Moms who kill” by Mark Levy et al
Discover (November) “Repeat After Me”
Psychology Today (August) “Making Amends” by Beverly Engel
Fortune (July) “Red Ink Runneth Over” by Jeffrey H. Birnbaum
GQ (June), “The Lessons of Danny Pearl”, by Christopher Whitcomb
The New York Times Sunday Magazine (03/31/02)
“The Struggle with Celibacy” by Lorenze Albacete Harper’s (April) “Visiting
Hours” by Judy Budnitz Discover (April)
Esquire (February) “Anxiety is Funny. Panic is Hard” by Peter Mehlman
Discover (January), “Who’s that? By John Pettinato and
“The Quiet Killer”, by Eric Haseltine
2001 Newsweek (12/10/01)
“Justice Kept in the Dark”, by Evan Thomas and Michael Isikof
and “Keeping Order in the Courts” by Jonathan Alter
The New Yorker, (11/26/01) “Virtual Love”, by Tad Friend
Discover (October) “Seeds of Psychosis”
Newsweek International (08/21/01)
Newsweek Asia (Cover) (08/20/01)
“Death by Conformity” by George Wehrfritz
The New York Times Sunday Magazine, (05/06/01)
“A Cure for Poverty”, by Andrew Solomon,
Fortune (04/30/01) “Stock Shock”
Newsweek, (03/19/01)
“The Web’s Dark Secret”, by Rod Nordland and Jeffrey Batholet
(T)here Magazine, Issue 4
2000 The New York Times Sunday Magazine (12/24/00)
“The Making of an 8-Year Old Woman”, by Lisa Belkin
American Photography 16
1999 American Photography 15
The New York Times Sunday Magazine, (09/19/99)
“New Eyes - Scenes from the Millennium,
Re-imagined by Living Artists – The Look of Fear”
American Photography 15
1998 The New York Times Sunday Magazine (05/24/98)
“Attachment Theory: The Ultimate Experiment” by Margaret Talbot
Harper's Magazine (08/98)
“Torch Song, At the Peripheries of Violence and Desire, by Charles Bowden
The Washington Post Magazine (06/07/98)
“The Drinking Age” by Susan Cohen
The Art of the X-Files (Harper Prism)
Graphis Fine Art Long Shot Vol. 20
1997 Graphis Nudes 2
1996 Aperture 149: Dark Days: Mystery. Murder, Mayhem
Aperture 148: delirium
Blind Spot, Number 8
The New Yorker

Bibliography
Fotograf #6, 2005 review, “Found” by Dagmar Cujanova
Prague Post, October, 2005 review, “Ghosts of the Past,” by Mimi Rogers
Art In America, April, 2004 review, by Jean Dykstra
Photography in New York (cover and “About the Cover,” by Jean Dykstra)
Art News (Dec, 2003), “The New Visionaries,” by Barbara Pollack
“Portfolio: Ordinary Madness”, Photography Now - Journal fur Fotografie und Videokunst 1.03
SF Camerawork, Vol. 29, No.1, (Spring/Summer)
“Portfolio: Everyman: A Search for the Male Form,” by Nora Kabat
The New York Times - Review: Barry Schwabsky, 1997 New Jersey Arts Annual - 10/07/97
The Record - Review: Mary Jane Fine, "Picasso with a Camera" -09/24/96
The New York Observer - Review by A.D. Coleman,
"Gerald Slota's Residue of Tales; It's Not Art But, It's Art" -1/15/96

Grants & Fellowships
Mid-Atlantic Grant: New Jersey State Council on the Arts Fellowship- 2001
Polaroid 20 x 24 Studio - Summer 1997
MacDowell Colony - Summer 1997

Film and Video
16W Woodstock Film Festival, 2004
Furry’s Blues, David Johansen and the Harry Smiths
South by Southwest, Austin, TX, 2003
Woodstock Film Festival, 2003

Collections
Whitney Museum of American Art
Los Angeles County Museum of Art
George Eastman House
Langhans Foundation
Princeton University, The Art Museum
Polaroid Corporation
The Marvel Collection
Collection Dancing Bear
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GERALD SLOTA
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